Movie Review Round-Up #3 - Robots, Demons, and Mutants (Oh My!)

The 2013 Summer movie season is winding down, and I'd have to say that overall this one has been more or less middle of the road in terms of the quality of films I've had a chance to watch. To me, there just hasn't been anything out thus far that has been so epic in its presentation as to make it the definable movie of the season. That's not to say the movies I've seen so far have all stunk; far from it, as there have been several really good movies (Man of Steel, Despicable Me 2, and Star Trek Into Darkness) but nothing that's been absolutely great. There's been no Avengers or Dark Knight, is what I'm really getting at. Those are the kind of movies that make the bothersome task of going to the movies worthwhile for me seeing as how I can't bring myself to spend money on something like Grownups 2 or We're the Millers. That's the reason why I have Netflix, so that when I can't sleep I can watch something formulaic and repetitive that will put me down for a few more hours.

Pacific Rim

In the not-so-distant future, gigantic monsters from an alternate dimension have begun rising up out of the Pacific ocean using a gateway between their world and ours. Traditional machines of war prove to be ineffective against these great beasts called Kaijus, which is why the governments of the world begin building huge robotic avatars known as Jaegers to be piloted by 2-man teams. The Jaegers were effective initially but the Kaiju threat has grown worse and worse, and the Jaeger fleet has has all but been demolished. Down to a handful of Jaegers and pilots, humanity is making its last stand.

There's nothing about this movie I didn't love, quite frankly. It's robots and monsters fighting, how could every 13 year old boy (or a 33 year old man who still acts like a 13 year old boy a lot of the time) not get a kick out of this? There's more to it than that, though, as the stunning imagery and special effects (produced by the wizards at Industrial Light and Magic) are a great compliment to a well-rounded story featuring characters that are somewhat stock in terms of their construction but still unique.

The cast is lead by Charlie Hunnam (known mostly for his work in Sons of Anarchy) who plays Jaeger pilot Raleigh Beckett, a man haunted by the death of his brother who was killed when the two were engaged in combat with a Kaiju. Idris Elba takes the role of Stacker Pentecost who's the commander of what remains of the Jaeger program. He's assisted by Mako Maori, played by Japanese actress Rinko Kikuchi. Ron Perlman is involved here as well, taking the part of Hannibal Chau a black market dealer in Kaiju parts who's something of a snake oil salesman. Charlie Day rounds out the core group as Dr. Newton Geiszler, a scientist working the the Jaeger program on ways to find the Kaiju's weaknesses.

I can't not mention a young actress by the name of Mana Ashida, who appears as Mako when she was a child. I won't spoil the scenario here in case you haven't seen Pacific Rim. She's not on screen for very long but her performance was brilliant, as far as I'm concerned.

One of the biggest compliments I can pay director Guillermo del Toro for how he constructed this film is to say that there was never a point in time while I was watching Pacific Rim where I thought we truly had the upper hand. There's never a moment where you genuinely feel like mankind or the Jaegers are going to run completely rough-shot over the Kaiju, and that's significant because in so many action movies there never winds up being any sense of peril for the heroes. There's never a situation where you, as a viewer, stop and think "Wow, how the heck are they going to get out of this?" Pacific Rim makes you do that about half a dozen times, and the tension it builds is a great additive to the experience.

4/5 Robot Jox References

Elysium

Almost 150 years into the future, Earth has become so polluted and overpopulated that the most wealthy among the human race abandoned the planet, choosing instead to live on an orbiting space station called Elysium where there is no crime, no war, and no disease. Every day is a struggle for survival for the people who have no choice but to remain on Earth, as the criminals are almost as bad as the robotic infantry put in place to enforce the law.

Elysium's plot follows the plight of Max Da Costa, (Matt Damon) an ex-con living in the ruination that is what remains of Los Angeles looking to redeem himself by earning a living working in a factory that manufactures androids. He becomes exposed to a lethal dose of radiation while on the job - given only days to live, he's presented with the opportunity to get to Elysium and save himself. Little does he realize, at least initially, that he actually has a chance to save everyone.

There is a lot of cool stuff going on in this movie from a technical standpoint. You've got ships capable of space flight, futuristic weapons, humanoid robots with fluid movements, and soldiers equipped with powered exoskeletons. What's more, it all looks great - especially Elysium itself. The problem is that there's not enough emotional substance of characterization behind it all. You wind up with a visually compelling piece of work that doesn't leave any impact on the audience.

The realm of science fiction can be a dark place and there are plenty of films that do a great job of making a case for a less than likeable character becoming a heroic figure, but Elysium spends too much time trying to make the audience care about a guy who, quite frankly, has few redeeming qualities. Much of Elysium's plot centers around Max's effort to save himself after he gets irradiated. Up until the moment he's injured we've not gotten any sort of context that makes him into a likeable or sympathetic person. He's been a thug since he was a child; not a Robin Hood sort of thug, either. He's not even an effective anti-hero because when he's presented with the opportunity to save the dying daughter of a woman he loves (and has loved since childhood) he's still primarily concerned with getting himself into a med-bay (you could make the argument that he's trying to get the agents of Elysium who are chasing him away from her home, but I doubt that's his true inspiration for fleeing). Not until it dawns on him that he more than likely isn't going to survive this journey does his cause shift to aiding the little girl, and by then it's too little too late to make a difference in the mind of a viewer.

I loved District 9 for the fact that it was an amazing piece of allegory that gave a rather stunning perspective on apartheid in South Africa. Blomkamp has tried again to make his audience care about a cultural phenomenon using allegorical means, this time shedding light on the concept of healthcare becoming something only the richest among us can obtain. It's a painful truth, but the fact of the matter is that Elysium comes across as being very heavy handed in its message, almost to the point of being preachy. I'm not disagreeing with the message, mind you, I'm merely of the opinion that politics and entertainment don't always make for the best bedfellows.

And is it me, or is it a little bit ironic that Blomkamp made a movie involving a ring-shaped world considering he was supposed to have directed a movie based on the HALO video games?

3/5 Guilty Sparks

Evil Dead

The lazy critic in me enjoys reviewing movies like Evil Dead, simply because of the fact that recapping their plot doesn't require much effort.

This is your classic "kids go into the woods and get terrorized by some demonic beast until all but maybe 1 or 2 of them are alive" type of movie. It's been done to the point of becoming formulaic, and in the case of Evil Dead it's a gimmick that feels even more redundant seeing as how this is a re-make. What's more, it's a re-make of what has to be one of the campiest horror films ever made, that being director Sam Raimi's Evil Dead which was released in 1981 (it's the movie that introduced Bruce Campbell to the world, though, so it's still awesome). The 2013 edition attempts to ramp up the experience by shedding the inadvertent silliness that was so abundant in the original, instead opting for good old blood and guts horror.

The plot of this incarnation of Evil Dead is based around a group of kids in their late teens or early 20s who've all come out to a remote cabin in the woods in order to have an intervention with one of their friends, a girl who's developed an addiction to heroin. It turns out that the cabin has been used for a variety of activities related to the occult and Satanic rituals, so of course when one of the characters finds a book that's wrapped in barbed wire and heavy plastic he immediately begins reading the thing. He winds up unleashing a demonic entity that inhabits the girl they were trying to help, thus setting off a rather nasty slew of events for all involved.

If you're a fan of practical special effects, those being the kind that rely on prostheses and make-up as opposed to computer generated imagery, you'll enjoy the effort put into this film. I have to say it's refreshing to see this sort of thing. Artists can do amazing things with CGI, it's true, but CGI is too clean looking in my opinion for a movie like this. It needs to be dirty, gory, and sick. You just can't get that out of CGI.

2/5 Bifrucated Tongues

The Wolverine

The Wolverine serves as a follow-up to X-Men: Origins - Wolverine and X-Men: The Last Stand, this time peeling back the history of Logan as it relates to the occasions during his long and tumultuous life where he found himself in Japan. According to this mythology, Logan was a POW being held near Nagasaki and was present when the Fat Man atomic bomb was dropped. He was able to save a man named Yashida, one of his captors, from the blast. Fast forward to present day - Wolverine has done his best to drop off the grid as he's haunted by memories and dreams of his lost love, Jean Grey, choosing to live the life of a hermit in the Canadian wilderness. His seclusion is interrupted when he's found by a young woman named Yukio who has come to bring him back to Japan as Yashida is dying of cancer and wants to thank Logan for saving him all those years ago. It turns out that Yashida knows of Logan's pain and offers him the one thing he has never thought possible - a noble death.

Hugh Jackman has made the role of Wolverine his defining work, and he continues to be the linchpin of the entire X-Men film franchise. How many other actors can say they've been able to successfully carry an entire series? (Certain media outlets are claiming Fox has offered him $100 million to continue on with the character in 4 more movies - that sounds like a lot of money until you consider how much cash he and the other merry mutants have raked in for the company.) The work he's done with this character is quite marvelous (See what I did there? X-Men, comics, MARVEL, marvelous?) and I highly doubt the series would be where it is if not for his charismatic abilities to make Logan the sympathetic warrior that he is.

Therein lies one of my problems with this movie. It is incredibly overbearing in trying to convey Wolverine as being in this epic state of depression. That's an understandable move - he wound up having to kill the woman he loved, for crying out loud, he's got a reason to be sad. Add to that the fact that he spends a majority of the film having to deal with being in a compromising position thanks to his healing abilities being suppressed, and you've got a version of Wolverine that's just not Wolverine for lack of a better way of putting it.

What I'm getting at is I don't like emo Wolverine. I like feral, berserker Wolverine. Chaos is just more entertaining, I guess.

I will be forthright in saying that, in hindsight, this movie feels a lot like nothing more than a transitional piece meant to bridge a gap left between X-Men: The Last Stand and the coming X-Men: Days of Future Past. I didn't dislike it, I simply don't think this was that big of a moment in the grand scheme of things. That said, Fox could've simply had Jackman suit up for the post-credits Easter egg scene, put that out around Comic Con or some other similar event, and been done with it.

3/5 Bone Claws